Sessions in the topic of
Sociodrama and the development of creative collectives – local and transnational sociodramatic communities and networks


A NEW TRAINING WAS BORN!
SOCIODRAMA TRAINING AT MPE, TEACHER TRAINING WITH ACTION METHODS, SOCIODRAMA IN HIGHER EDUCATION, IN THEATER AND CHURCH PROJECT

PRESENTERS: ÁGNES BLASKÓ  – MÓNI DURST – KRISZTINA GALGÓCZI – GYULA GODA – ANDREA KOCSI   

Sociodrama and power
DATE AND TIME: 26th of June, Wednesday  20:00-21:30
CONFERENCE TOPIC: Sociodrama and the development of creative collectives – local and transnational sociodramatic communities and networks
TYPE: Workshop
ROOM:
NUMBER OF PARTICIPANTS: 50
TAGS: Creative Collectives, June26 Evening
ABSTRACT:

In Hungary, the first sociodrama training came into existence in 2022 in two parallel groups. The training aimed to integrate the sociodrama experience already present at MPE and the knowledge derived from the Performers international project.
Along with this, the sociodrama scene in Hungary has become more vibrant: the first generation of trainers and assistants began working with the method in various institutions, communities, formal and informal settings.

Our main areas:

  • We launched a sociodrama training in Budapest.
  • We created an accredited teacher training program in collaboration with Budapest University of Technology and Economics and Radnóti Theater.
  • In higher education, we have been regularly holding courses with sociodrama for changing the mindset of future intellectuals for over 8 years. Additionally, we introduced sociodrama as a research method in legal education and in a doctoral school at the Faculty of Social Sciences at ELTE University.
  • In collaboration with Lutheran church groups, we initiated the processing of topics such as LGBTQ identity and belonging to religious communities, as well as verbal abuse within the church community through sociodrama.
  • We created participatory theater performances with various civil groups addressing public issues.

During the workshops, we focus on specific areas according to the participants’ needs – in dramatic form. We welcome all new cultural perspectives and look forward to enriching debates!

ABOUT THE PRESENTERS:

Andrea Kocsi, psychodrama leader, child psychodrama assistnent, sociodrama trainer, monodrama councellor

Ágnes Blaskó, psychodrama leader, sociodrama trainer, and reseracher

Krisztina Galgóczi, psychodrama leader, sociodrama trainer, transgenerational therapist

Móni Durst, psychodrama leader, sociodrama trainer, theater education specialist

Gyula Goda, psychodrama and sociodrama trainer, supervisor, psychologist

CREATING A SOCIODRAMATIC FORCE FIELD:
EMPOWERED TO CONFRONT PERSECUTORS

PRESENTERS: COURTNEY MEADOWS – REGINA SEWELL

Sociodrama and power
DATE AND TIME: 27th of June, Thursday  14:00-16:30
CONFERENCE TOPIC: Sociodrama and the development of creative collectives – local and transnational sociodramatic communities and networks
TYPE: Workshop
ROOM:
NUMBER OF PARTICIPANTS: 35
TAGS: Creative Collectives, June27 Afternoon
ABSTRACT:

Our nervous systems can be overwhelmed by threats to our physical and psychological safety. How can we transform from victimhood to empowered survivorship? This workshop will explore somatic (bottom-up) and relational (top-down) approaches for resourcing through a combination of mindfulness and nonviolent communication practices. Participants will co-create a sociodrama with these resources, considering how they may be experienced within interactions of the drama triangle roles: victim/survivor, rescuer, and persecutor.

Learning Objectives
By participating in this workshop, participants will be able to:
● Identify two resources for creating physical and psychological safety.
● Experience each role in the drama triangle.

ABOUT THE PRESENTERS:

Courtney Meadows, LCSW, RDT is a licensed clinical social worker and registered drama therapist. She has experience bringing psychodrama and sociodramatic methods into working with children, adolescents, and adult survivors of complex trauma and domestic violence. Courtney brings over 20 years of community theatre experience into her practice and is passionate about protecting playfulness at every age. Courtney is on the executive council for the American Society for Group Psychotherapy and Psychodrama, is active in community organizing initiatives, and her faith community.

Regina Sewell, LMHC, PCC, CP, PAT / PhD (Sociology) is a licensed counselor and CP and PAT who has been using psychodrama with clients and in groups since 2004 and Sociodrama in sociology classes since 2005. Regina is the Secretary of the ASGPP and is on faculty with the Hudson Valley Psychodrama Institute.

PSYCHOSOCIODRAMA – CULTURE AND ROLE RELATIONSHIP FOR WORLD’S PROBLEMS.
HOW RESPONSIBLE AM I FOR THE WORLD’S PROBLEMS? WHAT SHOULD I DO?

PRESENTER: DENIZ ALTINAY

Sociodrama and power
DATE AND TIME: 27th of June, Thursday  14:00-16:30
CONFERENCE TOPIC: Sociodrama and the development of creative collectives – local and transnational sociodramatic communities and networks
TYPE: Workshop
ROOM:
NUMBER OF PARTICIPANTS: 50
TAGS: Creative Collectives, June27 Afternoon
ABSTRACT:

Sociatry, the science of social healing. (J.L. Moreno, 1955, p. 88)

Moreno’s sociatry is created to address and heal large groups and societal issues. The sociatric understanding forms the foundations and rationale of sociodrama.

It is from “sociatry,” a pathological counterpart of such a science [sociometry] that knowledge can be derived as to the abnormal organization of groups, the diagnosis and prognosis, prophylaxis, and control of deviate group behavior. (J.L. Moreno, 1946, p. 251-252)

The mental health of an individual is closely connected to the mental health of the society they live in, and vice versa. Changing the structure of society is dependent on cultural change. Changing culture, in turn, is possible through role transformation. The collective component of the role is in interaction with its personal component as well. How can a New Vision for a Collective Future be created?

Sociodrama, the dramatic deep action method, which deals with inter-group relations and collective ideologies. (J.L. Moreno, 1943b, p. 331)

In this workshop, while exploring the rationale of the new society through sociodrama, the importance of individuals’ roles will also be addressed. Therefore, the term “Psychosociodrama” might be more appropriate.

References:
Moreno, J.L. (1955) First Note on the Sociometric System. Sociometry. 18. p.88-89)
Moreno, J.L. (1946), Psychodrama and Group Psychotherapy, Sociometry, p.249-253
Moreno, J.L. (1943b) Sociometry and the Cultural Order, Sociometry. 6, p.299-3

ABOUT THE PRESENTER:

Deniz Altinay, M.A.
Psychodrama Trainer, Psychotherapist, Master’s Degree in Psychological Counseling 

Master degree in Psychology in Ankara. Former general secretary in Turkish Group Psychotherapy Association and the founder and president of Istanbul Psychodrama Institute, Turkish Union of Psychodrama Institutes and Istanbul Playback Theatre. Founder of Child Psychodrama, School and Company Educations Section (sociodrama and rol training)
Books; “Psychodrama 450 Warming-Up Games, Handbook of Psychodrama Group Psychotherapy’, ‘Spontaneity Theatre. “Child Psychodrama”, “Selected Issues in Psychodrama”, “Contemporary Applications of Psychodrama”, ”Moment”.
Running “IGPP E-Journal”.
Board Member of IAGP. Member of FEPTO-EAP.


 

BRIDGING ANCIENT RITUAL PERFORMANCE AND CONTEMPORARY SOCIODRAMA:
A HISTORICAL PERSPECTIVE

PRESENTER: LUIGI LAFASCIANO

Sociodrama and power
DATE AND TIME: 29th of June, Saturday 9:00-9:50
CONFERENCE TOPIC: Sociodrama and the development of creative collectives – local and transnational sociodramatic communities and networks
TYPE: Presentation
ROOM:
NUMBER OF PARTICIPANTS: 70
TAGS: Creative Collectives, June29 Morning
ABSTRACT:

This presentation highlights the intersection of historical research on ancient performance-oriented healing rituals and the contemporary practices of psychodrama and sociodrama, showcasing the mutual interest shared by historians and therapists.

My work delves into the evolution of ancient therapeutic rituals. One notable example is the practice within the cult of Asklepios, the Greek god of medicine. Its rituals centered around therapeutic incubation, or ritual dreaming, where devotees sought divine intervention and healing through dream visions. This ritual’s evolution is intricately linked to theater, as sacred performances in theaters were employed to make divine experiences accessible to worshippers even before they engaged in ritual dreaming. These practices not only nurtured individual imagery but also formed therapeutic communities. Devotees, all seeking divine visions for healing, found themselves restored to meaningful social roles due to their intimate connection with the divine and the invisible realm.

The prospect of engaging in dialogue with therapists and researchers immersed in psychodrama and sociodrama methods holds great promise for mutual enrichment. Historical insights can contribute to innovative approaches in modern therapy, while therapists can offer valuable perspectives to deepen our understanding of ancient therapeutic rituals’ dynamics. This synergy offers the potential for a more profound comprehension of the intricate interplay between performance and therapy across time.

  1. Participants will develop the ability to discern meaningful correlations between ancient performance-based traditions and contemporary psychodrama and sociodrama therapeutic methods.
  2. Participants will enhance their existing skill sets by integrating well-researched insights from the historical utilization of performance as a therapeutic modality.
ABOUT THE PRESENTER:

I possess a unique background in Archaeology and Religious Anthropology. My research, published in a book and several articles, explores ancient performance-oriented healing rituals and the intricate connection between theatrical and ritual performances in ritually-induced therapeutic dream visions. As the Founder and Director of The Diakron Institute, an international NGO fostering cross-cultural perspectives, I have led multisensory educational programs across Europe. While not directly experienced in psychodrama and sociodrama, I am eager to engage with professionals in the field to enrich my research and educational initiatives.


 

WHEN ISSUES COLLIDE.
A LARGE-GROUP SOCIODRAMATIC MULTIVERSE CONSTELLATION

PRESENTER: JOERG JELDEN – VALERIE MONTI HOLLAND

Sociodrama and power
DATE AND TIME: 29th of June, Saturday  10:00-12:30
CONFERENCE TOPIC: Sociodrama and the development of creative collectives – local and transnational sociodramatic communities and networks
TYPE: Big group
ROOM:
NUMBER OF PARTICIPANTS: minimum 30
TAGS: Creative Collectives, June29 Morning
ABSTRACT:

A large-group sociodramatic multiverse constellation AI, climate catastrophe, wars, diseases, capitalism – countless crises and transformations are pulling and tugging at our society, our institutions, organizations, communities and at us as individuals. Parallel worlds are emerging and colliding. This is also changing Sociodrama and the sociodrama community.

In this session, we will take a look at the dynamics and interplay within and between these crises and transformations. What does all this do to Sociodrama? We will explore this in action. Based on a bricolage of Sociodrama, Social Presencing Theater (SPT) and Constellations, we will explore how these issues affect Sociodrama simultaneously.

After warm-ups based on SPT, we will explore these five issues. Small groups will define a sociodramatic research question and roles for their issue. Like in a multiverse constellation, an in-group on the main stage then does a piece of action that will inform all the small groups simultaneously. But instead of constellations, we will work with a SPT form called The Village. Sounds crazy? It sure is. We will walk, stand, sit, lay down and make turns. We will laugh and enjoy ourselves – despite the grim issues.

Small groups will explore these topics via roles

  • AI, climate, war, diseases, capitalism and sociodrama
  • Artificial intelligence and sociodrama
  • Climate catastrophe and sociodrama
  • Wars/armed conflicts and sociodrama
  • New diseases and sociodrama
  • Capitalism and sociodrama

The session works best with a minimum of 30 people.

ABOUT THE PRESENTER:

Joerg is a transformation facilitator based in Hamburg, Germany. He works with organizations of all kinds and helps them to develop participatory futures, strategies, and organizational structures. In his work and beyond, he regularly applies action methods like Sociodrama, Social Presencing Theater, Playback Theater, and Clowning to help organizations explore and anticipate change.
For the forthcoming Sociodrama edition of the German Magazine for Psychodrama and Sociometry Joerg Jelden has contributed an article comparing and integrating Sociodrama and Social Presencing Theater.

Valerie Monti Holland, MA, Sociodrama Trainer & Executive Committee Member of the BPA, from the UK
Valerie is a sociodramatist working as a facilitator and coach across all sectors and throughout the world. She also chairs the Equality and Diversity in Action committee and is an External Relations rep for the BPA.


Online Sessions


CORAZONES EN RED
CONNECTED HEARTS: FOSTERING CONNECTIONS WITHIN GROUPS

PRESENTER: HÉCTOR ALEJANDRO MONTALVO ESCANDÓN

Sociodrama and power
DATE AND TIME: 28th of June, Friday  17:00-19:00 (Central European Time)
CONFERENCE TOPIC: Sociodrama and the development of creative collectives – local and transnational sociodramatic communities and networks
TYPE: Workshop
LOCATION: ZOOM
NUMBER OF PARTICIPANTS: Any
TAGS: June28 Online
ABSTRACT:

Utilizing techniques developed from the HearthMath laboratory, the presenter combines these methods with tools of sociodrama, as a means to engage with collective intelligence and intuition. This approach aims to elicit answers and commitments from individuals and the community. In the first part, the presenter will introduce the main techniques to the participants. Then, in the second part, we will collaboratively formulate a collective question about our initial actions within our community. This process involves creating the question together and then sharing experiences through internal psychodrama to facilitate the third part: the sociodrama. Here, we use our bodies as metaphors and symbols to enact the action responses to our questions, allowing us to define our commitments. Learning Objectives:

Participants will learn three techniques of cardiac coherence from the HearthMath Institute.
We will co-create questions and answers focusing on our collective desires beyond individual needs, aiming to address what the community requires.

Bibliography:
– Childre, D., Rozman, D., Martín, H. and McCraty, R. (2017) The intelligence of the heart. Barcelona, ​​Spain. Publisher: Obelisk
– MORENO, J.L. Psychomusic and Sociodrama. Hormé. Buenos Aires, 1977.

ABOUT THE PRESENTER:

I started my formation in psychodrama by the EMPS (Mexican School of Psychodrama and Sociometry) in 2000 for one year, and then I continued this formation from 2001 to 2005.
I have been participating in the Iberoamerican Congress of Psychodrama, since 2011 as a facilitator speaker for workshops, I have participated as a teacher of psychodrama in the master’s degree since 2013.
I participated as co-author in the book “Public and Simultaneous Sociodrama of Latin America. “Scenes from the Towns.” (Compiler) Publications of the. UNAM-CEIICH 2004.